Creative Industry
NFC Reaffirms Commitment to Preserving Nigeria’s Cultural Heritage, Hosts Archival Management Training Workshop in Jos
By Joel Ajayi
The Nigerian Film Corporation (NFC) has reaffirmed its commitment to safeguarding Nigeria’s cinematic and cultural heritage by enhancing its human resource capabilities. This was demonstrated through the successful hosting of a transformative and intensive training workshop in Jos, Plateau State.
In a statement issued in Abuja on Saturday by Brian Etuk, NFC’s Director of Public Affairs, the workshop titled “Preservation of Audiovisual Materials and Archival Practices” was held from April 1st to 11th, 2025, at the National Film, Video and Sound Archive (NFVSA) – Jos.
The training equipped participants with advanced skills in film handling, scanning, digitization, archive management, and cataloging. It emphasized the adoption of global best practices in the restoration and preservation of fragile audiovisual materials.
During an assessment visit, Dr. Ali Nuhu, Managing Director/Chief Executive of NFC, emphasized the critical importance of preserving Nigeria’s audiovisual history. “Nigeria cannot afford to lose any of her vintage audiovisual records currently secured at the NFVSA in Jos,” he said. “NFC remains fully committed not only to preserving but also protecting the nation’s heritage.”
Dr. Nuhu commended the Arsenal Institute for Film and Video Arts (Berlin, Germany), Deutsche Filminstitut & Filmmuseum (Frankfurt, Germany), Goethe University Frankfurt, and the German Academic Exchange Service (DAAD) for organizing and supporting the training series.
He hailed the ongoing partnership with NFC as pivotal in positioning Nigeria as a global cinematic hub.
He further noted the Federal Government’s strong support in empowering the NFVSA as the country’s premier repository of audiovisual heritage.
Dr. Nuhu, represented by Mr. Edmund Peters, Director of Film Industry Support & Production Services, charged the trainees to apply their newly acquired skills to revitalizing and safeguarding Nigeria’s rich audiovisual assets.
Participants included staff from NFVSA, postgraduate students from the Master’s Programme in Film Culture & Archiving Studies, lecturers from the National Film Institute (NFI) Jos, students and faculty from the University of Jos, and professionals in film archiving.
Lead facilitators—Alo Paistik of Goethe University, Markus Ruff, and Lisabona Rahman of the Arsenal Institute—praised NFC’s proactive approach. “Engaging with NFC’s dedicated staff and other participants has been immensely rewarding. We are confident the skills shared will drive transformative progress in Nigeria’s archival and restoration efforts,” they noted.
The University of Jos, represented by Professors Husseni Tsaku and Nancy King (present and former Heads of the Theatre & Film Arts Department), also commended NFC and its partners for prioritizing archival excellence. They lauded the impact of the workshop on strengthening the university’s Master’s Programme in Film Culture and Archiving Studies.
At the certificate presentation ceremony held on Friday, April 11, 2025, participants expressed readiness to apply their new skills toward enhancing Nigeria’s archival capacity. “This workshop has reshaped our approach to archival practices. We are now better equipped to protect Nigeria’s audiovisual heritage,” said Mallam Idi Jimpy, a participant.
Now in its fifth edition, the Preservation of Audiovisual Materials and Archival Practices workshop continues to play a vital role in building the professional capacity of Nigeria’s archivists, empowering them to protect the nation’s cultural legacy.
Creative Industry
CAFA Targets $500bn Fashion Economy At Canex Wknd 2026
Joel Ajayi
The Confederation of African Fashion (CAFA) will present its roadmap to grow Africa’s fashion economy from an estimated $30 billion to $500 billion at CANEX WKND 2026 in Lagos.
Marking its first anniversary on November 5, CAFA will unveil a joint stand with the Federal Ministry of Art, Culture, Tourism and the Creative Economy at the Wole Soyinka Centre for Culture and the Creative Arts, formerly the National Arts Theatre, on November 5, 2026.
CAFA President, Aare (Prof.) Lai Labode, said the institution works with African governments to align sourcing, production, trade and intellectual property policies, ensuring African creativity generates greater value for African businesses and communities.
Nigeria became the first country to sign the African Fashion Industry Growth Charter on November 5, 2025, when the Honourable Minister Barr. Hannatu Musa Musawa signed on behalf of the Federal Government.
Speaking ahead of the unveiling, Minister Musawa said: “Afroliganza seeks to build a structured, values-driven fashion economy rooted in African heritage, led by African institutions, and positioned for global impact.”
On employment potential, the minister emphasized that Investment in fashion will create millions of jobs, particularly for women and youth.
Registered in Rwanda, with an office in Kigali and a desk at the Federal Ministry of Arts, Culture, Tourism and the Creative Economy, CAFA is also working with Nigeria’s Ministry of Foreign Affairs towards African Union adoption of the Charter. Rwanda is progressing towards becoming its second participating country and the first in East Africa.
Its first year saw fifty nations gather at the Egbaliganza-Lisabi Festival in Abeokuta and a signed MoU with Türkiye’s ASRIAD.
CAFA’s programmes promote processing African raw materials into finished apparel locally. ‘Own What We Create’ addresses intellectual property protection, while the CAFA Certified Seal and CAFA Heritage Mark support standards and authenticity. African Global Fashion Houses are currently being established across international markets.
The African Global Fashion Games will debut in Nigeria in 2028, bringing designers together under national colours. Held every three years, the Games will alternate between African and international hosts, combining competition with investor meetings, deal signings and policy discussions. Its Instant Craft event gives competing nations identical materials and a fixed clock, placing skill at the centre of the contest.
CAFA is inviting creatives, fashion designers, artisans, diplomats, economists, investors and policymakers to its CANEX stand. Visitors can explore the roadmap, ask questions and identify opportunities to contribute through design, manufacturing, investment, research, trade and international partnerships. The stand will be open daily from November 5 to 8.
CAFA calls on the African Union to adopt the Charter, and governments to sign the Games Register and form national teams.
“Fashion has always told the world who Africa is. Now Africa will decide what fashion pays,” Aare Prof. Lai Labode said.
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