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African Women Entrepreneurs in Covid -19 Era

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By Ebere Agozie

In spite of the giant strides Nigerian women have been making in the world of business, a new reality is staring them – along with the rest of humanity – in the face: COVID-19.

The prevalence and astonishingly rapid spread of the virus had the whole world literally hyperventilating, wondering what had hit it.

At first, there was fear that, given the predominantly rural setting of Africa, and given also the fact that awareness about the pandemic has been slow in catching on, the worst was about to happen.

The expected annihilation may not have happened on the scale feared in Africa, but the presence of the coronavirus in the continent has remained a huge cause for concern.

This is especially so for women whose case is further exacerbated by the very nature of African culture.

Incidentally, many of the recommendations given by health experts as to the required distance between people have of course to do with what makes life pleasurable.

Going by the above observation, one wonders how women will be able to stick to these recommendations, considering the roles they play in society.

In Africa where there are basically no institutions that take care of the elderly and children with special needs, the challenge of taking care of them is dumped on the doorstep of women.

Women as caregivers do not only take care of the young children at home, feed and bathe them, but also their husbands and their aged ones.

Even as the typical belief or culture of African women revolve around domestic chores, some of these women are also the breadwinners of their homes and so must go out to work to put food on the table.

African women are very enterprising, and this could primarily be put down to the prevalent poverty in the continent and the need to ensure the welfare of their families.

There are those that are involved in subsistence farming, there are others that engage in petty trade and commerce, there is the working class, and there are those that are the corporate world, albeit not many of them in this last category.

There are equally the full-time, stay-at-home housewives, although this class is shrinking by the day as, increasingly, women in Africa perceive the need to get involved in fending for the family.

In this attempt to examine women entrepreneurship in Africa today, we will look closely at the Nigerian situation.

With regard to enterprise, Nigerian women can be spread into four categories.

The first group is the full-time housewives, the stay-at-home housewives. As the name implies, these women simply stay at home to take care of the family, raise the children and generally run the home, while the husbands go out to earn a living.

Most of them are to be found in the northern parts of the country, mainly due to religious constraints since, by reason of their religion, they are not expected to mix very freely with the public, among whom there usually a lot of males.

This set of women is no longer as large as it was in the recent past as the increasingly dire economic conditions faced by most Nigerians make it necessary for more hands to be on deck in providing for the family.

Simply put, staying at home and waiting for the husbands to, as it were, bring home the bacon, is becoming less attractive by the day. It is a luxury that most families can ill afford today.

A second category is the petty traders and the subsistence farmers. This sub-group is the most prevalent in our society. They make up the bulk of women in Nigeria and are found in far-flung parts.

Nigerian women are so focused, so family-centric, that even when they go to toil in the farm for the family, they would still come home to cook for everyone.

Women farmers may be the predominant group, but one class that seems to be surging recently is those engaged in petty trading.

There is hardly any part of Nigeria, especially in the lower geographical half of the country, where you do not find women engaging in some form of trading or another.

In most communities, it is common to see women displaying their wares just about everywhere you look.

Usually, you see just a few items – confectionaries, food items, soup condiments, and the like. But they know how far revenue from such efforts go in supplementing what the men bring home at the end of the day.

There are also other market settings that are generally dominated by women. These markets vary in size – from just a cluster of a few roughly constructed huts to extremely large, well-organized, and thriving markets that play host to thousands of traders, the majority of them, women.

Enterprising women range from just petty traders to big-time business women whose businesses run into hundreds of millions of naira.

Let us not forget also the working-class women that abound in the civil service and in private concerns

A lot of women have built very successful careers in the public service and they, too, deserve accolades for contributing in steadying the ship of the Nigerian state.

It has actually been proven, over time, that women have shown a rare dedication and conscientiousness in the discharge of their responsibilities, such that are now much sought-after in many organizations.

They have also, by this dint of hard work, succeeded in climbing to the highest reaches of such outfits.

These women, however, are among the few who were privileged to have been highly educated and exposed to opportunities that got them to where they are today, leaving the majority of the non-educated petty entrepreneurs to struggle daily to make ends meet.

Some of such women are Hajiya Bola Shagaya, an oil and real estate magnate, Uju Ifejika, and arguably the most prominent of them all, 65-year-old Folorunsho Alakija, who found her fame and fortune in the oil and fashion industries.

Nigeria is truly blessed, not only in terms of her abundant natural resources but also (with her large population) in terms of her huge human resources.

And a truly heart-warming proportion of this is made up of women.

All told, however, the problem of Covid-19 has impacted rather heavily on Nigerian women, especially the rural dwellers, and just made their efforts to make ends meet more onerous.

It is therefore unimaginable that social distancing could be practiced here by the majority of Nigerian women entrepreneurs.

Some of the women are stuck with men, some of who actually think that the coronavirus is an excuse by the governments to siphon public funds.

These men will always demand sex from their women, even when they are sick, and of course, there are also the factors of culture and religion, and so to them, #Social Distancing is not applicable.

Sometimes culture and religion give the women no chance of objecting and they are therefore forced to succumb to their husband’s advances, which sometimes come in the form of commands.

While #Social Distancing is part of prescribed ways of curbing the spread of #COVID-19, it is nonetheless going to be very difficult for some women trying to go about their lives to stay healthy while still carrying the burden of the people around them.

Most women interviewed lamented that their religions and culture have put much burden on them as women.

This has caused many of them to cast around for excuses on the back of indoctrination, almost amounting to brainwashing.

Hajia Fatima Muhammad, a Civil Servant jokingly asked, ‘how can I observe social distancing when my husband will not keep away from me?’

Her religious and cultural beliefs made her feel that women are not supposed to have a say in such matters.

“If he gets infected and still wants to sleep with me, what do I do since I cannot say ‘no’ to him”?

When asked why she would not deny her husband sex until after the pandemic is over to focus on her business she said: “My religion and culture forbid that’’.

Mfon Effiong, a businesswoman angrily responded, I am a nursing mother, how do I breastfeed my baby?

“I heard more men are infected than women, and more women survive than men even though we still sleep with them and exchange bodily fluids.

“Besides God has seen the burden we carry as women and has thus given us strong systems. I will not be infected in Jesus’ name,’’ she declared.

From the foregoing, it is clear that the incompatibility of social distancing and the desire to drive women entrepreneurship in Nigeria, and indeed other African settings, is a quandary to most African societies.

There is no easy way out of this predicament and the real or perceived inequality in society does not help matters, either.

It is therefore clear that the government organs responsible for public education, have their work cut out for them.

More than anything else, there is an urgent need for a much more aggressive grassroots education to let them know that it is about their health and that of everyone around them.

Entrepreneurship in Nigeria, especially among women, will be the better for it

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Creative Industry

Stephanie Linus, Juliet Ibrahim 8 others Appointed Jury Members For Zuma International Film Festival

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Joel Ajayi


Ten-member 10 jury of reputable Nigerian and foreign filmmakers to adjudicate on all entries in the competitive category of the Zuma international film festival, 2024, scheduled to hold in Abuja, Nigeria’s capital from December 1st to 5th, which is jointly being organized by the Nigerian Film Corporation (NFC) and the Federal Capital Territory Administration (FCTA) has been announced.  


Announcing the constitution of the ten-member jury through a statement issued in Abuja (on Monday, November, 11, 2024); Brian Etuk, NFC’s Director of Public Affairs, said “the jury is most critical to the selection of winning entries and composition of the jury reflects the premium and niche of ZUMA International Film Festival, as one of the continents fastest growing international film festivals and market events”. 


He said, this explains why membership of the jury includes both Nigerian and foreign film stakeholders who have in the recent past promoted authentic Nigerian and African resonate stories, and continue to contribute immensely to the growth of inclusive global film production. 


Stephanie Okereke Linus, an A-list Nigerian actress, filmmaker, activist with lead appearances in over 100 movies, including an Afro-Hollywood, USA Filmmakers Award for Excellence, Reel Awards for Best Actress, and recently, the AMVCA Award for Best Overall Movie in Africa as well as recipient of the AMAA Award for Best Nigerian Film for her impactful work DRY was named as the Chairperson of the Jury. 


Other members are Kenneth Gyang- director of This Is Lagos, Mojisola as well as Oloture Netflix’s Original from Nigeria; Aisha Halilu Abdullahi – a docu-drama and documentary specialist; Ishaq Sidi Ishaq – an actor, writer and producer of “Kamilu”,‘‘Wasila’’; Charles Novia – an avant-garde Nollywood filmmaker, scriptwriter, producer, director and creative entrepreneur; Hakeem Kae Kazim – a supremely talented actor, producer, director of great cinematic portrayal of George Rutugunda in the Oscar-nominated Hotel Rwanda, as well as playing leading roles in The Librarian.


The Triangle, and knack for creating feisty and deeply thrilling characters; Sihle Hlophe – director with multiple awards and over 15 years of experience; Ronya Man – an acting coach and creative arts specialist with handles on Lahira, SIN.


 The Johnsons, as well as Juliet Ibrahim – a bilingual (French and English) speaking multiple award-wining producer, director, entrepreneur with over 100 movie appearances. Zaiyanu Tanko Waziri, a veteran filmmaker and broadcaster with over two decades of professional experience was also named as member of the jury.  


In the statement, Dr. Ali Nuhu, NFC’s Managing Director & Chairman, Festival Organising Committee, on behalf of its partner, the FCTA, congratulated Stephanie Okereke – Linus for emerging as Chairperson of the Jury. Dr. Nuhu said that the Jury Chairperson and her team’s roles are critical to the overall success of the Film Festival brand, which no effort has been spared in its organization in terms of content, attendance and participation. NFC; Nuhu averred, remains committed to achieving the objectives of sustaining the positive narratives that Nigeria with a huge creative economy, is indeed the hub of film production in Africa.  

Zuma International Film Festival 2024, the 14th in the series and themed: Digital Renaissance: Embracing The Future takes place December 1st – 5th at Chida Event Centre, Abuja Nigeria. Meanwhile, Etuk added that the online registration portal of the film festival has opened, and intending participants can register through the link :- https://zumafilmfest.com/zuff-2024-registration. 

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